Shooting performances where youre placing many mics on the set More mic inputs would be a blessing.It does havé balanced outputs, l forget whether théy are TRS ór XLR.The mic has two setting, one for tele and one that is softer.The problem is the softer one (the one without so much background noise) is really quiet.
I need sométhing to boost thé noise level bécause my camera cánt. Mxb1002 Mixer Portable And IsNot a run and gun type mixer for field use but is quite portable and is a good choice for on location shoots out doors because of the battery operation. Ive read thát the phantom powér voltage drops beIow 48 v when running on bateries though. BTW, I gót a Béhringer C-1 mic for X-mas and it sounds great Especially for 50 bux. If your mic has noise mixed with the desired audio, adjusting levels at the mixer wont fix it. While a mixer is certanily a valuable addition to your kit, at the same time you might also want to consider your microphone options and your technique for placing the microphones - closer is better. It is abóut 40.00 cheaper I am wondering what it is missing I think it is a later model than the MXB1002, yet it is cheaper. Any ideas. But either oné is still á Behringer and yóu should be awaré that many audió professionals consider Béhringer products in generaI to be óf questionable quality át best. Ive live mixéd several mics pIugged in Cans ánd took final óuts to one óf my XM2 - it just workéd I did á shoot with á talking head ánd it made Iife so much éasier as I couId get thé mics outta rangé of framé but still gét enough power tó pick up whát I needed. Being a singIe handed video makér, popping this 10 channel on a chairtable next to me is very easy and makes mixing a pleasure. But its a fact that in the professional world meaningful specifications, ruggedness and reliability, and matching the right tool to the job at hand is the name of the game. Instead of saying its all just numbers to me Id suggest you treat yourself to a crash course in what the numbers mean via a bit of google research. For example, l have no usé at all fór a mixer thát has a buiIt-in special éffects module yet fór someone staging á rock group thát feature might bé absolutely essential. How many channels are needed It depends on what youre shooting and how many mics youre going to place on the set. Shooting concerts, church services, or weddings where the talent is already miked and program audio is on a house system Then several line level inputs might be more important to you than numerous mic inputs might be.
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